Abba Makama’s The Lost Okoroshi, which explores the disconnect between modern and traditional Nigeria, is a very layered film that’s high on allegory. The film follows Raymond (Seun Ajayi), a
Abba Makama’s terrific debut Green White Green felt heavy because of its theme: the tensions between Nigeria’s three major tribes. His sophomore The Lost Okoroshi, which premiered at TIFF, is more