Adedamola Adedayo, Author at The Culture Custodian (Est. 2014.)

Kingdom Film Festival 2025: Towards The Future of Faith-based Cinema and Technology

The 4th edition of Kingdom Film Festival (KFF 2025) took place at Victoria Island, Lagos, bringing together faith-inclined filmmakers and talents within the creative industry in Nigeria. Partly modelled after other major film festivals in the country and around Africa, KFF 2025 featured exclusive film screenings, keynote speeches, panel sessions, workshops, pitch sessions and an […]

Adedamola Adedayo

1 hour ago

What The FilmOne Entertainment Piracy Saga Says About The Present and Future of Copyright In The Nigerian Film Industry

In an Instagram post, FilmOne Entertainment, Nigeria’s leading film distribution outfit, announced the arrest of a certain man who was alleged to have uploaded clips of one of the company’s films, Owambe Thieves, on TikTik using the moniker NaijaPrey TV and distributed pirated high-resolution digital versions of the film for a fee. The arrest was […]

Adedamola Adedayo

1 day ago

Kevin Schmutzler on Collaboration and Confronting Child Marriage Through “Nawi: Dear Future Me”

UNICEF describes child marriage as a violation of human rights. It hampers the development of the girl child, often leading to early pregnancy and social isolation, limiting career opportunities and exposing victims to increased risk of domestic violence. A UNICEF report reveals that Kenya is home to over four million child brides, with one in […]

Adedamola Adedayo

2 days ago

Femi Adebayo’s “Ageshinkole: King of Thieves 2” and The Community Cinema Initiative

A few days ago, Nollywood actor and filmmaker Femi Adebayo took to social media to announce the second part of Ageshinkole: King of Thieves, a Yoruba epic production, which will be out at an unspecified date this Yuletide season. In the viral video, Adebayo revealed that the sequel will be distributed through community cinemas in […]

Adedamola Adedayo

2 days ago

Lagos Fringe Festival 2025: Kolade Mann’s “Ovisa” Laughs At Society Without Minding Its Own Specks

Ovisa, a satirical drama written by Nwaru Favour Ikechukwu and directed by Korede Mann (Best Director nominee for The FilmJoint Awards 2026) is one of the seven films chosen for The Accelerate Filmmaker Project (AFP) 2024, the others being Loveth Ogbene’s The Boy from the Window, Samuel Ajirebi’s Egbeji, Ashimedua Odiachi’s Mofe, Rotipin Tobiloba’s Purgatory, […]

Adedamola Adedayo

7 days ago

Lagos Fringe Festival 2025: Myde Glover’s “Irin Ajo (The Journey)” Embodies The Myth of Reincarnation

Yoruba metaphysics categorizes human existence into at least three cyclic stages: the worlds of the unborn, the living and the ancestors or dead. Soyinka, in his book Myth, Literature and the African World, introduces an additional, less explored fourth realm, which he describes as “the dark continuum of transition” and a home for “the ultimate […]

Adedamola Adedayo

7 days ago

Lagos Fringe Festival 2025: Loveth Ogbene’s “The Boy From The Window” Situates Love and Solace In Imperfections

With its premise of two youngsters and neighbours finding ways to love each other and share small, beautiful moments despite their individual sufferings, The Boy From The Window shows considerable merit. The story rouses emotions with its portrayal of teenage innocence, desire, suffering and a quiet sense of hope that offers solace in place of […]

Adedamola Adedayo

7 days ago

Lagos Fringe Festival 2025: Ella Chikezie’s “In Her Shoes” Is A Short Course on Autism and Struggles of the African Girl Child

Storytelling in modern African cinema often requires digging deep into sensitive human conditions and lending voices to underrepresented groups. Doing so, the cinema becomes more of an instrument for conscientization and social campaign than entertainment. A few notable examples of this are Tunde Kelani’s Dazzling Mirage (Nigeria) which draws attention to sickle-cell anaemia; Reabetswe Rangaka’s […]

Adedamola Adedayo

2 weeks ago

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Kingdom Film Festival 2025: Towards The Future of Faith-based Cinema and Technology

“On Becoming A Guinea Fowl”: Rungano Nyoni’s Humorous Titivation of Grievous Sexual History and Family Traditions

My Life In Nollywood: Barnabas Emordi

Adesuwa Giwa-Osagie— Championing History and Political Discourses

Trevor Noah’s Multiple Grammy Hosting Duties and Other Golden Moments for Africans

Kingdom Film Festival 2025: Towards The Future of Faith-based Cinema and Technology

What The FilmOne Entertainment Piracy Saga Says About The Present and Future of Copyright In The Nigerian Film Industry

Kevin Schmutzler on Collaboration and Confronting Child Marriage Through “Nawi: Dear Future Me”

Femi Adebayo’s “Ageshinkole: King of Thieves 2” and The Community Cinema Initiative

Lagos Fringe Festival 2025: Kolade Mann’s “Ovisa” Laughs At Society Without Minding Its Own Specks

Lagos Fringe Festival 2025: Myde Glover’s “Irin Ajo (The Journey)” Embodies The Myth of Reincarnation

Lagos Fringe Festival 2025: Loveth Ogbene’s “The Boy From The Window” Situates Love and Solace In Imperfections

Lagos Fringe Festival 2025: Ella Chikezie’s “In Her Shoes” Is A Short Course on Autism and Struggles of the African Girl Child

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