Revisiting Adekunle Gold’s “Sade” and Its Lasting Impact on Afropop a Decade Later
by Abioye Damilare Samson Perhaps one of my favourite things about Nigerian Pop music is how it ingrains certain female names in its verbiage, so much so that whenever these names are mentioned, they conjure vivid mental snapshots. These names—Caro, Funke, Angelina, and Sade—carry the weight of narratives that span love, heartbreak, admiration, and sometimes, […]
5 days ago