Faridah Folawiyo’s Year of Yes
A recurring theme in Folawiyo’s discussion of her work is accessibility, not as a marketing term but as something closer to a personal correction.
3 weeks ago
A recurring theme in Folawiyo’s discussion of her work is accessibility, not as a marketing term but as something closer to a personal correction.
3 weeks ago
The Nigerian literary community has been engaged in an important conversation around piracy, unapproved digitization, accessibility, and distribution of Nigerian and African books. Fortune Amor’s digitization of over 200 African writers’ books belonging to the Heinemann African Writers Series sparked this timely conversation. Nigerian journalist and writer, Molara Wood, and others have rightfully called out […]
6 months ago
On November 9th, what was supposed to be a quiet, dignified gathering of global stakeholders in art and culture at the Museum of West African Art (MOWAA) in Benin City became a moment of national embarrassment. A small preview event meant to showcase the progress of the museum’s work — attended by diplomats, art curators, […]
10 months ago
Afolabi Olalekan’s Freedom Way written and produced by Blessing Uzzi, takes a lengthy and laborious 90 minutes to drive home a single point: our lives, as humans and Nigerians, especially, are connected. Uzzi’s script assembles a varied cast to make this point: the co-founders of Easy Go Ride, Themba (Jesse Suntele), Tayo (Ogaranya), and Edi […]
1 year ago
The Yoruba people have a saying: “Sátídé ti ọ dà, àti Jímọ́h láti mọ́.” Although there are different iterations of this saying, what they loosely translate to is that tomorrow’s greatness is foreshadowed in the details of today. This often-recycled axiom captures my thoughts after watching the trailer for Akay Mason’s Red Circle which has […]
1 year ago
In just three years, the +234ArtFair has quickly become an essential part of the Nigerian visual art scene’s calendar. Last year’s edition featured roughly 260 emerging artists and more than 300 artworks in different media.
6 months ago
The Nigerian Film Corporation (NFC) and Cinematheque Suisse, and Arsenal Institute for Film and Video Art Berlin, has signed a historic memorandum of understanding to fully digitize Adamu Halilu’s Kulba Na Barna, one of Nigeria’s vintage films shot on 35mm format in 1992. This agreement is coming after the 2018 successful restoration as well as […]
6 months ago
The Umuofia Arts and Books Festival is preparing for the fourth edition of its annual literary festival. The annual literary and cultural event held in Enugu, Nigeria is gradually becoming one of the anticipated Nigerian literary events and dedicated spaces for curating bookish dialogues, knowledge exchange and cultural insights in South-Eastern Nigeria. The festival which […]
6 months ago
Marché du Film, also known as Cannes Film Market has announced Lagos as one of its partnering cities for the 2026 edition of the Goes to Cannes program taking place from May 15 to 18th 2026, at the Palais des Festivals in Cannes. Africa International Film Festival (AFRIFF) will represent Lagos in the showcase. The […]
6 months ago
Award-winning animator and creative technologist Somto Ajuluchukwu unveils Objects of Power, a groundbreaking solo exhibition of 3D-printed sculptures that fuse ancestral African artifacts with futuristic technology. Opening at Soho House Rome on February 20-21, 2026, this marks Ajuluchukwu’s first major solo show—and a bold pivot from screen-based animation to tangible, physical-digital art. Under his artistic […]
6 months ago
Olive Nwosu is an award-winning Lagos-born and London-based screenwriter and director. In 2019, Troublemaker, her short film featuring non-actors, became the first Igbo-language film to be featured on the Criterion Channel. Two years later, she made Egúngún (Masquerade) which premiered at the Toronto International Film Festival (TIFF) and screened at Sundance Film Festival in 2022. […]
6 months ago
Zimbabwean director and producer, Tapiwa Chipfupa and her film initiative Audiovisual Entrepreneurs Laboratory (AVEL) have been awarded the coveted Berlinale Talents Mastercard Enablement Programme. Lesotho-based filmmaker, Phillip Leteka, with Majoaneng, his film initiative, returned to Berlinale as one of the returning alumni of the enablement programme. Chipfupa’s AVEL is a yearly personal and professional development […]
6 months ago
Conversely, in mainstream Nollywood, there exist two categories of filmmakers : the ones that make films for intellectuals and for the unthinking masses. There’s a pretension among members of both groups that they are different.
6 months ago