Faridah Folawiyo’s Year of Yes
A recurring theme in Folawiyo’s discussion of her work is accessibility, not as a marketing term but as something closer to a personal correction.
4 weeks ago
A recurring theme in Folawiyo’s discussion of her work is accessibility, not as a marketing term but as something closer to a personal correction.
4 weeks ago
The Nigerian literary community has been engaged in an important conversation around piracy, unapproved digitization, accessibility, and distribution of Nigerian and African books. Fortune Amor’s digitization of over 200 African writers’ books belonging to the Heinemann African Writers Series sparked this timely conversation. Nigerian journalist and writer, Molara Wood, and others have rightfully called out […]
6 months ago
On November 9th, what was supposed to be a quiet, dignified gathering of global stakeholders in art and culture at the Museum of West African Art (MOWAA) in Benin City became a moment of national embarrassment. A small preview event meant to showcase the progress of the museum’s work — attended by diplomats, art curators, […]
10 months ago
Afolabi Olalekan’s Freedom Way written and produced by Blessing Uzzi, takes a lengthy and laborious 90 minutes to drive home a single point: our lives, as humans and Nigerians, especially, are connected. Uzzi’s script assembles a varied cast to make this point: the co-founders of Easy Go Ride, Themba (Jesse Suntele), Tayo (Ogaranya), and Edi […]
1 year ago
The Yoruba people have a saying: “Sátídé ti ọ dà, àti Jímọ́h láti mọ́.” Although there are different iterations of this saying, what they loosely translate to is that tomorrow’s greatness is foreshadowed in the details of today. This often-recycled axiom captures my thoughts after watching the trailer for Akay Mason’s Red Circle which has […]
1 year ago
Chimamanda Ngozi Adichie has never shied away from political themes. Her first novel, Purple Hibiscus, narrated by a 13-year-old girl, is set during a military dictatorship. The protagonist’s father is vocal against the government of the day and faces dire consequences as a result. The stakes are even higher in Half of a Yellow Sun, […]
1 year ago
For the uninitiated, The Marché du Film, also known as the Cannes Film Market, which Osamede, directed by James Omokwe and executive produced by Lilian Olubi, was selected for, is described and acknowledged as the world’s largest international conference of film professionals, bringing together more than 15,000 participants from 140 countries each year. Featuring more […]
1 year ago
The celebrity-esque attention she received during this period aside, it was at this moment that the thought of being an actor subconsciously trickled into her mind. This subconscious decision and instincts would guide her choice of extra-curricular activities.
1 year ago
The Nigerian film industry has been rightly exposed to constant critical reviews and essays from critics and unfiltered criticism from the audience. Unmindful of these words and essays, the average mainstream Nollywood filmmaker is unfazed. Strangely confident, filmmakers make films, and begrudgingly, critics and audiences alike watch these films and TV series. With this committed […]
1 year ago
Filmmakers are studying the audiences to know and understand what they like, what they are watching, who they are following, the platforms they’re using, and social media influencers of ex-BBN housemates they’re raving about.
1 year ago
The African short film landscape has over the years received tepid attention from both the industry, investors, distributors, critics, audiences and even filmmakers. This has meant short films and their marks have been relegated to an understandably last position with feature films and TV series attracting vocal support. Unmindful of limited industry support, African short […]
1 year ago
When I listened to Joewackle J. Kusi’s audio drama, Goodbye Gold Coast, for the second time, I started to interrogate Nigeria’s history and political climate. Did this interrogation start when my secondary school government teacher passionately taught? Did that conscious conversation start when I chanced upon Chimanda Ngozi Adichie’s Purple Hibiscus? Or was it earlier, […]
1 year ago
The Africa Magic Viewers’ Choice Awards (AMVCA) announced its list of nominees already. Obsessing over the list and the conversation it has generated in film circles, I wrote a few thoughts down about this year’s list and by extension the awarding body. Snubbing Some of the Best Films of 2024 Korede Azeez’s With Difficulty […]
1 year ago