Faridah Folawiyo’s Year of Yes
A recurring theme in Folawiyo’s discussion of her work is accessibility, not as a marketing term but as something closer to a personal correction.
4 weeks ago
A recurring theme in Folawiyo’s discussion of her work is accessibility, not as a marketing term but as something closer to a personal correction.
4 weeks ago
The Nigerian literary community has been engaged in an important conversation around piracy, unapproved digitization, accessibility, and distribution of Nigerian and African books. Fortune Amor’s digitization of over 200 African writers’ books belonging to the Heinemann African Writers Series sparked this timely conversation. Nigerian journalist and writer, Molara Wood, and others have rightfully called out […]
6 months ago
On November 9th, what was supposed to be a quiet, dignified gathering of global stakeholders in art and culture at the Museum of West African Art (MOWAA) in Benin City became a moment of national embarrassment. A small preview event meant to showcase the progress of the museum’s work — attended by diplomats, art curators, […]
10 months ago
Afolabi Olalekan’s Freedom Way written and produced by Blessing Uzzi, takes a lengthy and laborious 90 minutes to drive home a single point: our lives, as humans and Nigerians, especially, are connected. Uzzi’s script assembles a varied cast to make this point: the co-founders of Easy Go Ride, Themba (Jesse Suntele), Tayo (Ogaranya), and Edi […]
1 year ago
The Yoruba people have a saying: “Sátídé ti ọ dà, àti Jímọ́h láti mọ́.” Although there are different iterations of this saying, what they loosely translate to is that tomorrow’s greatness is foreshadowed in the details of today. This often-recycled axiom captures my thoughts after watching the trailer for Akay Mason’s Red Circle which has […]
1 year ago
Nyasha Kadandara’s documentary film Matabeleland, which recently had its African premiere at the Encounters Documentary Film Festival, explores an overlooked and unresolved national trauma that haunts Zimbabweans. Centering on the story of Chris Nyathi, a man who believes his family has been cursed ever since his father was brutally murdered in 1983, the documentary explores […]
1 year ago
Ema Edosio-Deelen‘s When Nigeria Happens, Nigeria’s pioneering contemporary dance film, is slated to be the opening film at the Locarno Film Festival‘s esteemed Open Doors Section for its world premiere. This marks a seminal moment, as it is the first African film and the first contemporary dance film from Nigeria to open this pivotal section, […]
1 year ago
In modern-day Nigeria, poverty & resilience intersect in a world ruled by fate and chance. The Odds, written and directed by Loup Garou’s Kewa Oni, is set against the vivid backdrop of Lagos in an incredibly intense 24-hour period. It tells the story of Sule, a young man whose life is irrevocably altered by a […]
1 year ago
2024 ended with the rumor of Netflix discontinuing its activities in the Nigerian film market. Films and series weren’t given worldwide distribution. Prime Video had early in 2024 announced restraining its funding and commissioning of projects in the African and Middle East market. Thus, 2025 started with lots of energy-draining and exhausting private and public […]
1 year ago
Minutes into our call, Aleruchi Kinika, whose photographs have the uncanny ability to evoke a stillness that can feel almost transcendental, tells me she was perpetually depressed, weird, and reclusive as a child. “There’s a reason why my work is the way it is. I was a melancholic kid growing up. I felt so alone […]
1 year ago
Absa Group, in partnership with the South African National Association for the Visual Arts (SANAVA), proudly presents “Echoes of Innocence”, a solo exhibition by Nigerian artist Emmanuel Idowu, one of the 2023 Absa L’Atelier Ambassador Award winners. The exhibition is currently on view at Alliance Française Lagos and runs until 26 July 2025. This powerful […]
1 year ago
In a society with surging and infuriating statistics of domestic violence and sexual harassment, it’s politically inept and insentitive that the film decides to deposit a harassment scene just for the sake of it.
1 year ago
Filmjoint, founded by Gbenga Adeoti, was created out of the necessity to boost the identity of Nigerian and international short films. Worried, as a filmmaker himself, about the second-class look and attention given to Nigerian and international short films by the audience, distributors and even filmmakers themselves, Adeoti decided to make a business and financial […]
1 year ago