Faridah Folawiyo’s Year of Yes
A recurring theme in Folawiyo’s discussion of her work is accessibility, not as a marketing term but as something closer to a personal correction.
1 week ago
Explainers, analyses, and essays on government policies, and political trends and movements around the continent
A recurring theme in Folawiyo’s discussion of her work is accessibility, not as a marketing term but as something closer to a personal correction.
1 week ago
In the spirit of culture curation, Culture Custodian has put together a list of the best songs of 2026, so far.
1 month ago
Blood Sisters Understands That Sex Can Tell a Story. It Just Doesn’t Always Know What Story It’s Telling.
2 months ago
What shall it profit a people to lack shame? What does it really profit a nation of over 180 million people to consistently platform and promote individuals with an addiction to humiliation? There comes a time when one must sit back, rest their hands on their head, exhale, and declare that it all doesn’t make […]
3 months ago
My Father’s Shadow dual-citizenship tension isn’t an isolated conversation in African cinema. From the early 2000’s to date, there have been a select number of African titles with similar tension.
3 months ago
In recent years, Africa has been a growing hotspot for fashion. From luxury couture brands to smaller fast fashion brands, there is a growing consumer trend on the continent for fashion Made-in-Africa, particularly among young people the under-25s account for 50% of the continent’s total population and among the burgeoning middle class; which make up […]
1 year ago
“When I was a kid, I never thought Nigerian visuals could look this good. Now, people look to us for inspiration,” a friend messaged Anita after she shared behind-the-scenes shots from Davido’s Na Money video. “What you’re doing for Nigerian art and set design is history-making, it’s elevating the country’s prestige in ways that can’t […]
1 year ago
The Party, a three-episode Netflix series produced by Judith Audu and directed by Yemi “Filmboy” Morafa, begins with a house party scene where the dying Akinbobola (Kunle Remi), also called Bobo, drops off a balcony into the pool. The struggle to revive him is futile, and the father of the deceased immediately invites the police […]
1 year ago
“For I think that to be beaten and to be put to death is sometimes better than to do what is wrong,” Socrates says in Plato’s Georgias. This pithy statement encapsulates the Socratic view on masculinity, which resists the Homeric obsession with honor through violence. In his day, Socrates’ single-minded focus on moral integrity as […]
1 year ago
The Fire and The Moth Nollywood filmmakers, like their foreign peers, aren’t free from the clutches of influences. Tapping inspiration from various sources, including literature, other films, and cultural narratives, titles like The Matrix (1999) loosely inspired by Ghost in the Shell (1995), Inception (2010) inspired by Paprika (2006) and The Lion King (1994) loosely […]
1 year ago
In a clip making the rounds on social media, Mr Farooq Oreagba rhapsodizes about how his eldest son, who before the spectacle of last year’s famed Ojude Oba procession had little interest in the time-honored festival, intimated his desire to participate in this year’s edition of the festival. Oreagba is slouched in a chair, his […]
1 year ago
Nicole Asinugo’s directorial debut short film, God Knows Best is one of the Nigerian films that made history at Cannes Film Festival this year. Anchored on the story of Simi (played with quiet yet forceful relish by Wini Efon in her first lead role), God Knows Best tells the nuanced and layered story of a […]
1 year ago
The Fire and The Moth is a simple story that highlights the brutal nature of survival, greed and corruption, and consequences for one’s actions. Saba, played by Tayo Faniran (Gangs of Lagos, Ada Omo Daddy), a smuggler, is set to deliver the stolen priceless Ife Bronze Head to his boss Ibrahim who, in turn, must […]
1 year ago