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Chisom Ifeakandu’s “The Moral High Court” Tackles the  Near-Impossibility of Justice for Nigerian Women

Filmmaking, from a cultural and political perspective, is a filmmaker’s dull or blunt response to a question or concern. The question or concern might stem from the filmmaker’s personal reflection on social issues (think Old Nollywood’s didactic stories), from the compelling intention to address political and historical issues (think Tunde Kelani and Kunle Afolayan’s earliest […]

Chisom Ifeakandu’s “The Moral High Court” Tackles the  Near-Impossibility of Justice for Nigerian Women