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My Life In Nollywood: Kenneth Gyang

A Nostalgic Trip through Old Nollywood and Its Legendary Female Pioneers

WeTalkSound and IN Nollywood Celebrate Underrated Sonic Virtuosos In “Sounds of Nollywood”

18 Nigerian Women Film/TV Industry Pioneers On The Rise

5 Nigerian Indie Filmmakers Making Waves

The Best Nollywood Films of 2023

Review: “Hide N Seek” Falls Apart While Trying To Stand Out

The Rise Of Global Streaming Has Put African Animation Projects Center Stage

8 Foolproof, Clear-Cut Nollywood Predictions for 2023

EbonyLife Media Announces A Sunday Affair Coming On 14 February 2023

In Remembrance of Biyi Bandele

Genevieve Nnaji Signs With Hollywood’s United Talent Agency

Moses Inwang’s “Devil Is a Liar” Is A Tale of Manipulation, Betrayal and Missed Potential

After 8 years in development, Damilola Orimogunje’s “Dear Ajayi” Kicks Off Filming in Ibadan

Why Do Female Artists Struggle for Equal Recognition in Nigerian Music

Five Rising Female Artists To Watch Out For In 2024

18 Nigerian Artists To Watch In 2023

Review: Chude Jideonwo’s Documentary on Police Brutality and End SARS

Interview: Chinyere Ugokwe wants Her Music to give Voice to the Voiceless

Recommendations for Peace-building and Reconstruction Post Boko-Haram

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