Faridah Folawiyo’s Year of Yes
A recurring theme in Folawiyo’s discussion of her work is accessibility, not as a marketing term but as something closer to a personal correction.
1 week ago
Explainers, analyses, and essays on government policies, and political trends and movements around the continent
A recurring theme in Folawiyo’s discussion of her work is accessibility, not as a marketing term but as something closer to a personal correction.
1 week ago
In the spirit of culture curation, Culture Custodian has put together a list of the best songs of 2026, so far.
1 month ago
Blood Sisters Understands That Sex Can Tell a Story. It Just Doesn’t Always Know What Story It’s Telling.
2 months ago
What shall it profit a people to lack shame? What does it really profit a nation of over 180 million people to consistently platform and promote individuals with an addiction to humiliation? There comes a time when one must sit back, rest their hands on their head, exhale, and declare that it all doesn’t make […]
3 months ago
My Father’s Shadow dual-citizenship tension isn’t an isolated conversation in African cinema. From the early 2000’s to date, there have been a select number of African titles with similar tension.
3 months ago
Momo Spaine’s After 30 starts on a brilliant note. Sitting at the airport, Temi (Damilola Adegbite) concisely recounted pertinent details from Before 30, the series that birthed this new film. In her concise recounting, the film skillfully intimates viewers with almost-a-decade information without being stuffy and lacking. Nkem (Beverly Naya), after experiencing heartbreak, decides to […]
1 year ago
The average Afrobeats enthusiast is all too familiar with the narrative of an artist pushing back against industry gatekeepers. It’s one of the most popular tropes of the genre. In Rema’s Ozeba, he sings “Shey you wan gatekeep who sabi jump fence?” It’s cheeky and whimsical but also bristling with a cavalier tenor. You can […]
1 year ago
For years, luxury fragrance meant names you couldn’t pronounce and prices you couldn’t justify. Perfume was a passport to another world — usually French, sometimes Arabian, rarely African. But that narrative is shifting. A new generation of African-owned fragrance brands is stepping forward, bringing fresh perspectives, emotional depth, and cultural authenticity to an industry long […]
1 year ago
Unseen, a South African Netflix crime thriller series, is based on a woman who leaves behind a trail of murders as she goes in search of her missing husband, who has just been freed from incarceration. It is adapted from the 2021 Turkish Netflix series Fatma, created by Özgür Önurme. The first season of Unseen […]
1 year ago
My Father’s Shadow is a personal, semi-autobiographical exploration of the Davies brothers. It’s charged as an attempt to make sense of the absence that shaped their formative years.
1 year ago
Following a successful decade-long journey as a multifaceted storyteller, Nicole Asinugo is taking a monumental leap towards directing. This leap has resulted in God Knows Best, her directorial debut film which isn’t your average grief story but one that offers a powerful, unflinching look at what it means to live on your own terms, even […]
1 year ago
It’s another year of The Hollywood Reporter (THR) giving flowers to outstanding women in international film. Mo Abudu and Funke Akindele deservingly make the list, bearing the flag for the glamorous Nigerian film industry and African entertainment scene. Mo Abudu, the founder and CEO of EbonyLife Media, who is not new to international recognition, is […]
1 year ago
The rise of streaming platforms in Nigeria has triggered a renaissance of Nigerian historical epics. From Femi Adebayo’s King of Thieves, Jagun Jagun and Seven Doors, to Frank Rajah-Arase’s The Legend of Inikpi, Izu Ojukwu’s Amina, Kunle Afolayan’s Anikulapo franchise, Bolanle Austen-Peters’ House of Ga’a, Eniola Ajao’s Beast Of Two Worlds, Odunlade Adekola’s Orisa, and […]
1 year ago