Tanzanian Novelist Abdulrasaq Gurnah has become the second ‘Black African’ writer to win the Nobel Prize for Literature following in the footsteps of Wole Soyinka in 1986. The Nobel Prize has been awarded 118 times since 1901 and another Black African emerging as the winner of this prestigious award after 35 years, comes as a […]
Tanzanian Novelist Abdulrasaq Gurnah has become the second ‘Black African’ writer to win the Nobel Prize for Literature following in the footsteps of Wole Soyinka in 1986. The Nobel Prize has been awarded 118 times since 1901 and another Black African emerging as the winner of this prestigious award after 35 years, comes as a victory to African Literary scholars around the world.
According to the Swedish Academy, the body responsible for selecting winners of the Prize, AbdulRazaq was given this recognition due to his uncompromising and compassionate portrayal of the effects of colonialism and the fate of the refugee in the gulf between cultures and continents.
His novels explore follows three major patterns:
Connecting to the reader’s mind
Abdulrasaq Gurnah uses a prose-like style of writing to connect to the reader’s mind. It’s almost like he understands the reader and gives them what they expect next. In novels like Dottie which followed the plot of a young girl who grew up with mixed origins and her struggle to serve as a parent for her brother and sister, a story an average person can relate to.
Connecting Immigrants and Geography
The Literary legend is keen on writing stories that give insights into the lives of immigrants and their historical geographies due to his own story of migrating to the UK. He explores stories on colonial domination, patriarchy, racism, and xenophobia. His work points to the ways such realities affect people’s lives and can make them violent to each other and further goes on to preach about the importance of seeing others the way we see ourselves even if we are all not of the same ethnicity or race.
Empathetic Storytelling
In Gurnah’s novels, he applies empathy to his storytelling when tracing histories of trans-national and trans-oceanic movements in places like East Africa. He talks about the Eastern-African slave trade, German and colonial oppression while expressing empathy to the characters who are usually caught in violent and unequal situations beyond their control.