We can all agree Nigeria is fast becoming a top player in the global fashion industry. Together with the infiltration of Afro-pop in the music industry, we have seen the Nigerian culture influence the world culture by the sounds, images, and styles of our country as highlighted by W Mag in a spread shining the spotlight on […]
We can all agree Nigeria is fast becoming a top player in the global fashion industry. Together with the infiltration of Afro-pop in the music industry, we have seen the Nigerian culture influence the world culture by the sounds, images, and styles of our country as highlighted by W Mag in a spread shining the spotlight on Nigerian creative.
For Pith Africa, disrupting the fashion narrative is just as important as creating culturally in-tune wears for young Africans.
Founded by Cosmas Ojemen(creative director), Emeka Anazodo(head of operations), and Adedayo Laketu(artistic director) in early 2017, it’s evident the dual-sex fashion house has a refreshed perspective of our generation, dominated by diverse and consciously aware of millennials.
With an ethos of minimalism amongst great detailing, Pith has released two mini-collections, Dilly 1: A Beginning and Dilly 2: Streetwear.
Their first collection captured the brand identity through the use of a color palette that felt natural in contrast to our melanin skin, and designs minimal to the primitive state of their environment.

Inspired by indigenous streetwear powerhouses, Modus Vivendii and Waffles n Cream, Pith’s unconventional interpretation of streetwear in their second collection aligns perfectly with the new direction of fashion.

Worn by Wavythecreator in the “Shaku” video, the pieces from Dilly 2 are bold and eye-catching and a visual representation of the ‘soul of a youthful culture’.
For Pith Africa, their ambitions lie in playing a part in making African fashion a major force in the fashion world – on its own terms.
Watch their fashion films videos below:
Photography Credits: Pith Africa
Adaeze Oguzie is a culture writer and critic. With a sharp eye for subtext and a soft spot for subcultures, she’s especially drawn to stories that live in the margins. When she’s not writing, she’s probably rewatching a bad reality show for a good reason, or asking the internet whether palm wine counts as self-care.