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In the crowded wave of Nigerian music’s global rise, Savage has carved out a lane that’s distinctly his own.
In the crowded wave of Nigerian music’s global rise, Savage has carved out a lane that’s distinctly his own. One where Afrobeats collides with R&B and hip-hop, and vulnerability sits comfortably next to street grit. With his new project MELOVIA, the artist takes yet another leap forward, offering a body of work that feels both deeply personal and culturally resonant.
Savage is no stranger to spotlight moments. His breakout tracks, “Confident” featuring BNXN and “Rosemary” alongside Victony, cemented him as a voice to watch, blending irresistible rhythm with an emotional depth that resonated far beyond the dance floor. His earlier projects, UTOPIA and That Uzere Boy, further showcased his ambition: a restless creator unafraid to push at the edges of genre.
But MELOVIA is different. Released on May 30th, the project finds Savage digging into new territory, into heartbreak and healing, resilience and reflection, love and its scars. The very title hints at this duality: a fusion of melody and emotion, sound and soul.
What gives MELOVIA its texture is not just Savage’s voice but the collaborators he’s chosen to share space with. Odumodublvck, Zlatan Ibile, BackRoad Gee, Jeriq, King Perryy, and Priest each leave their mark, expanding the project’s palette without diluting its essence. It’s proof of Savage’s gift for curation as much as creation—his instinct for building bridges across sounds, scenes, and stories.
From heartfelt ballads that strip him down to his rawest self to anthems designed for the streets, MELOVIA plays like an artist’s journal translated into rhythm. It’s a reminder that the most compelling music doesn’t just entertain—it documents growth, pain, joy, and everything in between.
For Savage, this project isn’t just another release. It’s a statement of arrival, a declaration that his voice belongs in the broader conversation shaping Nigerian music’s future.
MELOVIA is out now on all major streaming platforms.
Adaeze Oguzie is a culture writer and critic. With a sharp eye for subtext and a soft spot for subcultures, she’s especially drawn to stories that live in the margins. When she’s not writing, she’s probably rewatching a bad reality show for a good reason, or asking the internet whether palm wine counts as self-care.