The “Moxie of Moremi” Review: A Visually Striking But Emotionally Grounded Reimagining of Legend

There is always a risk when theatre attempts to retell culturally sacred stories: the weight of expectation can either elevate the work or overwhelm it. The Moxie of Moremi finds its footing within that tension, delivering a production that is both visually compelling and emotionally grounded. Set in a kingdom crippled by fear and threatened by unseen enemies, the play leans into the legend of Moremi not as distant folklore, but as an urgent and human story about sacrifice, power, and consequence.

Under the direction of Asanlu, the production demonstrates a clear sense of control and intention. There is discipline in the staging, a confidence in the pacing, and a refusal to over-explain the material. Scenes are given room to breathe, and even at its most symbolic, the narrative remains accessible. The direction leans into emotional clarity rather than spectacle, allowing tension to build gradually and trusting the audience to engage with the questions the play raises.

The choreography stands out as one of the production’s strongest assets, and credit must go first to the choreographic team: Demilade Lawrence, Olubunmi “Buma” Dare, and Winning Felix Adebara for putting together movement that is both cohesive and narratively driven. Their work draws from Yoruba performance traditions while embracing contemporary theatrical structure, resulting in a language of movement that feels grounded, purposeful, and alive.

Within this strong foundation, Buma Dare emerges as a distinct presence. Beyond her contribution to the choreographic strength of the production, she also steps fully into the physical world of the play as a dancer. Her performance is controlled, expressive, and deeply connected to the rhythm of the ensemble.

The acting remains consistent across the ensemble, with performances grounded in the emotional reality of the play rather than exaggerated myth. The portrayal of Moremi carries a necessary balance of strength and vulnerability, ensuring that her journey feels human and immediate. Supporting performances contribute effectively to world-building, maintaining a shared tone that strengthens the cohesion of the production.

Visually, the play is well realised. Costuming reflects thoughtful attention to cultural detail, while the lighting design supports the mood, particularly in moments that deal with fear and the unseen. The set remains functional and unobtrusive, allowing the performances and choreography to take centre stage.

If the production falters at any point, it is in its occasional reliance on dense symbolism, which may not immediately land for all viewers. However, the emotional clarity of the performances and the strength of the movement ensure that the experience remains engaging.

In the end, The Moxie of Moremi is a confident and culturally grounded production that understands its strengths and leans into them. It prioritises movement, mood, and meaning over unnecessary spectacle, delivering a theatre experience that lingers. By the time it closes, what remains is not just the story of a legendary figure, but a question that refuses to fade: what, truly, is the cost of courage?