Faridah Folawiyo’s Year of Yes
A recurring theme in Folawiyo’s discussion of her work is accessibility, not as a marketing term but as something closer to a personal correction.
3 weeks ago
A recurring theme in Folawiyo’s discussion of her work is accessibility, not as a marketing term but as something closer to a personal correction.
3 weeks ago
The Nigerian literary community has been engaged in an important conversation around piracy, unapproved digitization, accessibility, and distribution of Nigerian and African books. Fortune Amor’s digitization of over 200 African writers’ books belonging to the Heinemann African Writers Series sparked this timely conversation. Nigerian journalist and writer, Molara Wood, and others have rightfully called out […]
6 months ago
On November 9th, what was supposed to be a quiet, dignified gathering of global stakeholders in art and culture at the Museum of West African Art (MOWAA) in Benin City became a moment of national embarrassment. A small preview event meant to showcase the progress of the museum’s work — attended by diplomats, art curators, […]
10 months ago
Afolabi Olalekan’s Freedom Way written and produced by Blessing Uzzi, takes a lengthy and laborious 90 minutes to drive home a single point: our lives, as humans and Nigerians, especially, are connected. Uzzi’s script assembles a varied cast to make this point: the co-founders of Easy Go Ride, Themba (Jesse Suntele), Tayo (Ogaranya), and Edi […]
1 year ago
The Yoruba people have a saying: “Sátídé ti ọ dà, àti Jímọ́h láti mọ́.” Although there are different iterations of this saying, what they loosely translate to is that tomorrow’s greatness is foreshadowed in the details of today. This often-recycled axiom captures my thoughts after watching the trailer for Akay Mason’s Red Circle which has […]
1 year ago
Watching mainstream Nollywood films and TV series, as Nigerian film critics will attest, is a headache-inducing activity. Film critics watch Nollywood productions with painkillers closely. Ditto the audiences too. This has been the toxic relationship between Nigerian film critics and mainstream Nollywood films. The films reveal filmmakers’ disrespect for cinema and disinterest in the subject […]
11 months ago
Minutes into our conversation with Donald Tombia, it was clear: he’s a process-obsessed filmmaker. With nearly a decade in the industry, Tombia has written and served as Head Writer for some of Nollywood’s television series and films including Slum King, Shanty Town, Masquerades of Aniedo, Introducing the Kujus and others. These films and TV shows […]
11 months ago
Tomi Famadewa looked at the sprawling mirror in front of her and saw a face she could not recognize. The eyes—dainty and doe-like—were unmistakably hers, as were the small nose and lips, which were lacquered in a subtle red lipstick. And yet, as the onigele carefully sculpted an intricate pink gele over her head, she […]
11 months ago
In 2015, Olamide Àdìó and Victor Daniel met, virtually, on Wallflowers, a Facebook writers’ group for young creatives with literary aspirations. Then, they were both trying to be serious writers and were educating themselves privately by reading and writing. As Àdìó recalled, at the time, their relationship was peripheral and one of mutual respect at […]
11 months ago
The Nigerian film industry, Nollywood and its filmmakers’ films are repositories of social, cultural, political and economic instability that has firmly hugged the country
11 months ago
Ben Proudfoot’s The Eyes of Ghana had its world premiere at the documentary section of the 2025 Toronto International Film Festival. The feature-length documentary film is partly a biopic of Chris Hesse, one of Ghana’s veteran filmmaker and Kwame Nkrumah’s personal cameraman and a capsuled history of Ghana’s independence journey, economic and cinema boom and […]
11 months ago
We have accepted a recurring myth: the belief that art is for everyone. We often romanticize the aesthetics of art and what it means for the people, but slowly, we forget the exclusivity of gallery spaces, the rising cost of artistic visibility, and the gated participation and access tied to the art market rather than […]
11 months ago
Zamo Mkhwanazihttps directorial debut, Laundry, is inspired by a personal story. In 1954, her maternal grandfather’s laundry business was unlawfully shot down by the apartheid government. It was about six years into the South African apartheid regime and this institutional disinheritance made her maternal grandfather lose his livelihood. This experience provides the autobiographical lens for […]
12 months ago