Faridah Folawiyo’s Year of Yes
A recurring theme in Folawiyo’s discussion of her work is accessibility, not as a marketing term but as something closer to a personal correction.
3 weeks ago
A recurring theme in Folawiyo’s discussion of her work is accessibility, not as a marketing term but as something closer to a personal correction.
3 weeks ago
The Nigerian literary community has been engaged in an important conversation around piracy, unapproved digitization, accessibility, and distribution of Nigerian and African books. Fortune Amor’s digitization of over 200 African writers’ books belonging to the Heinemann African Writers Series sparked this timely conversation. Nigerian journalist and writer, Molara Wood, and others have rightfully called out […]
6 months ago
On November 9th, what was supposed to be a quiet, dignified gathering of global stakeholders in art and culture at the Museum of West African Art (MOWAA) in Benin City became a moment of national embarrassment. A small preview event meant to showcase the progress of the museum’s work — attended by diplomats, art curators, […]
10 months ago
Afolabi Olalekan’s Freedom Way written and produced by Blessing Uzzi, takes a lengthy and laborious 90 minutes to drive home a single point: our lives, as humans and Nigerians, especially, are connected. Uzzi’s script assembles a varied cast to make this point: the co-founders of Easy Go Ride, Themba (Jesse Suntele), Tayo (Ogaranya), and Edi […]
1 year ago
The Yoruba people have a saying: “Sátídé ti ọ dà, àti Jímọ́h láti mọ́.” Although there are different iterations of this saying, what they loosely translate to is that tomorrow’s greatness is foreshadowed in the details of today. This often-recycled axiom captures my thoughts after watching the trailer for Akay Mason’s Red Circle which has […]
1 year ago
From the introductory shots in Dammy Twitch‘s Call of My Life, a compendium of details announced itself like a familiar but distant friend. First, it tells you that this is going to be a well-shot and framed picture. The sonic landscape (from sound design to soundtrack) will inspire admiration. Importantly, the lead character, Soluchi (played […]
3 months ago
Lagos-based artist Tunde Owolabi returned with Without Rest: The Crown We Gain, his fourth solo exhibition and perhaps one of his most socially attentive bodies of work yet. Held at No Parking Lagos from April 11 to May 9, 2026, the exhibition brought together sculpture, photography, prints, and drawings in an immersive reflection on labour, […]
4 months ago
The Durban FilmMart, Africa’s leading film finance and co-production market, has announced 36 African film projects for its 17th edition, scheduled for 9 to 12 October in Durban, South Africa. The market will present these 36 projects, including 8 animation, 10 fiction features, 10 documentary features, and 7 series projects in development at the Pitch […]
4 months ago
When, in 2013, MultiChoice Africa and its Africa Magic channels launched the Africa Magic Viewers’ Choice Awards (AMVCA), it was to celebrate and honour excellence in African film and television. Prior to this, there was no single, high-profile awards platform dedicated specifically to African screen content across the continent. From inception, the award was deliberate […]
4 months ago
On 11th May, 2026, TV5MONDE+, a global, free streaming service owned by the public television network TV5MONDE, made 15 restored African films available for global access under a designated Cinémathèque Afrique space. The launch has been framed as a landmark collaboration between TV5MONDE and the French Institute (Institut français). The first restored works include Paulin […]
4 months ago
In January 2026, Ganza Moise’s Ako Kantu had its world premiere at the International Film Festival Rotterdam (IFFR). Ako Kantu, a Valentine’s Day special episode takes an unexpected turn when a sensationalist YouTuber interviews a charismatic thief. The short film was among eleven African films that screened at the festival including Malek Bensmail’s The Arab, […]
4 months ago
Burkinabé filmmaker Idrissa Ouédraogo‘s Tilaï (The Law) has been selected for the 2026 Cannes Classics. The 4k restoration of the project will screen alongside 21 feature films, 3 short films, and 6 documentaries, and two contemporary works. The Cannes Classics is a section dedicated to showcasing the preservation work carried out by production companies, rights […]
4 months ago
If you have seen Ryan Coogler’s Creed or its promotional content prior to watching Fiyin Gambo’s The Other Side of the Bridge, there’s an unmistakable sense of familiarity that lingers throughout the film. From the choice of sport, characters’ choices, and motivation (mostly that of Femi (Demi Banwo), the kinship is undeniable. The film, however, […]
4 months ago