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“When Nigeria Happens”: Ema Edosio-Deelen Describes Film as Therapy

Obasanjo’s Internet – Omolola Ige

Taiwo Egunjobi Returns With Fire—And a Moth

Inside “3 Cold Dishes:” Asurf Oluseyi’s Boldest Film Yet

Onyinye Odokoro is Still Nursing Nollywood Patients Through Her Performances

“BlownBoy Ru” : Ruger’s Victory Lap Is Stunted By Tired Tropes

Why is Nollywood Casting Actors Based on Their Clout?

My Life In Nollywood: Efa Iwara

The African International Short Film Market is Creating a Market for African Short Films

Sharon Rotimi Is Booked, Busy, and Just Getting Started

At 13, Simisola Gbadamosi is Fearlessly Showcasing Nigeria to the World

My Life In Nollywood: Natse Jemide

Cruel Santino and Davido Make the Case for Live Streaming Being The Frontier in Music Marketing

From South London to Super Eagles: What The Innit Boys Teach Us About Identity

Funke Akindele’s “Finding Me” Is A Discordant Symphony of Talents

AMVCA Nominations 2025: Prediction in Key Categories

Five Resilient Women: ThatAfrikan Productions and Polygon’s Intimate Screening

Love in Every Word: Nollywood’s Distrust of Critical Thoughts and Rising Anti-Intellectualism

“B(l)ind the Sacrifice”: Nakhane Pokes at Organised Religion and Received Traditional Knowledge

Ayanfe and Fireboy DML elevate ‘Laba Laba’ to a visual and sonic masterpiece

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